MALCOLM X 1988-1998 HIS IMPACT OF MALCOLM'S IDEAS ON THE BLACK MOVEMENT OF SPAIN

MALCOLM X 1988-1998

IMPACT HIS IDEAS ON THE BLACK MOVEMENT OF SPAIN

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Starting in 1986, was year of the assault on the Apartheid Southafrican Embassy in Madrid perpetrated by the African Studients from Free Mandela Movement in response to the murder of Juluis Moloise. The assault on the embassy broke the Spanish free Mandela movement in 3 groups. One moderated under the leadership of IEPALA and catholic Cristian white left at Colegio Mayor Nuestra Sra de Africa, in Complutense University. Another group united with the democratic political opposition of Guinea Ecautorial bring a new sociological framework where basically Maleva Association and Marcelino Bondjale and others such right groups such AMPAE (Asociación mediadora para los africanos en España) and the left: AISE, MALEVA, AEME. with the headquarters in the lawyer's office of Djondjo Muadakuku at Bravomurillo 221 in Madrid

That constitute a radical Pan-Africanism mixed with the ideologies of Leopold Senghor and Cesaire that they were thoughts of assimilation, more or less: Uncle toms. The third group was formed by street rapers and gangs with its headquarters in the labor university of Alcalá and disco stones. These faction was lead by brotherhoods, these gangs such as Los Colours and referents such as Pablo Ovono Candela and T-7 were the first great lumpenproletarian Afro young people, and they introduced a sociopolitical framework favored by the context of Free Mandela Movement under the leadership of Winnie Mandela, here was an evolution because these gangs broutgh the political influence of Malcolm X ideology that came to Spain mainly from the hip-hop artist hand of bands like Schooly D, Paris, Sista Souljah, Inspector Tecnich, Public Enemy, the cinema of Spike Lee with do the rigth thing or Malcolm x .
Examples of conscious and political hip-hop Arrived Spain include: Whodini's "Growing Up"; Kurtis Blow and Run-D.M.C.'s "Hard Times"; MC Lyte's "Cappucino"; much of Saul Williams' discography, as well as nearly all of Dead Prez's discography; All of X-Clan’s discography; Big Daddy Kane's "Lean On Me"; Mos Def's "Mathematics"; most of Public Enemy's discography, including notable tracks such as "Give It Up", "Black Steel in the Hour of Chaos", "Rebel Without a Pause", "Fight The Power," "911 Is a Joke", "Burn Hollywood Burn," and "Night of the Living Baseheads"; much of The Roots' discography, including the track "What They Do" and albums such as Things Fall Apart, Game Theory, Rising Down, Undun. And Then You Shoot Your Cousin; Coolio's "Gangsta's Paradise"; much of Kendrick Lamar's discography; much of J.Cole's discography; much of Logic's discography; much of KRS-One's discography, including the tracks "Move Ahead" and "Know Thyself"; Boogie Down Productions' albums Criminal Minded and By All Means Necessary; Eminem's "Like Toy Soldiers" and "White America"; much of Talib Kweli's discography; much of Lupe Fiasco's discography, including "Conflict Diamonds"; much of rapper Common's discography; Main Source's "Watch Roger Do His Thing"; much of 2Pac's discography, including "Changes"; Childish Gambino’s This Is America; Macklemore & Ryan Lewis’ ‘‘Same Love’’.

Political Hip Hop was developed in the 1980s as a way of turning rap music into a call for action and a form of social activism. Inspired by 1970s political preachers such as The Last Poets and musician Gil Scott-Heron, Public Enemy was the first predominately political hip-hop group. It has helped to create a new form of social expression for subordinate groups to speak about their exclusions, injustices and lack of power. Political hip-hop is the use of hip hop music to send political messages to inspire action or to convince the listener of a particular worldview. There is no all-encompassing political hip-hop ideology. we-releases a list of the artists and their works that have been directly influenced by Malcolm X, and his passion for uplifting the people. Tupac’s Speech at the Malcolm X Banquet in 1992 in Atlanta, GA honoring the slain icon’s personal influence on him. Self Destruction-Stop the Violence Movement
after the death of DJ Scott La Rock in 1987, Hip Hop pleads to end black on black crime with the KRS One founded movement “Stop the Violence”. ”Black Is Black” – Lakim Shabazz.

The 5% MC dropped this track on his 1990 ‘Pure Righteousness’ album, sampling Malcolm’s fiery “The Black Revolution” speech. KRS One’s By All Means Necessary Album cover. For their sophomore album, KRS & BDP drew inspiration from Malcolm X in creating their cover photo and choosing the album title making it stand out as one of the most dynamic albums in rap music at that time. “Tonz ‘O’ Gunz” – Gangstarr Rapping over a melodic and infectious beat the emcee educates his listeners on the track featuring Malcolm X’s famous “Fire and Fury Grass Roots Speech”. “Malcolm” – Ghostface Killah. The most consistent and lyrical wordsmith of the Wu-Tang raps, “Ayo/I’m like Malcolm out the window with the joint/ hooded up,blood in my eye/I let two fly..”. “Malcolm, Garvey, Huey” – Dead Prez In a remake of Lloyd Banks’ “Beamer, Benz, or Bentley”, new millennium conscious pioneers dead prez dropped this ode to their three favorite Black leaders. “No Mercy” – Immortal Technique Hardcore, underground hip hop song that samples the famous speech “The Ballot or the Bullet” from the man known as Detroit Red. “Bring The Noise” – Public Enemy. Malcolm introduces the phrase, “too black, too strong”, to the Hip Hop culture, and ironically, Chuck D mentions Minister Louis Farrakhan’s name in the song as well. Artist names/group names derived directly from Malcolm X (Sadat X, Mia X, and X-Clan)These artists adopted the “X” for their identities in the rap game, showing their respects to Malcolm X

Gangs Los Colours with black power salute 

In Spain this group connected and identifiquet with the political activism of Malcolm X garssroot Movement RNA and the Republic of New Afrika, Lois Farrakhan and Nation of Islam, Omali Yeshitela and African people socialist Party, Molefi Asante, Runoko Rashidi, Angela Davis or Hourace Campbell or Five Percent Nation. Newspapers such Nation Time and Burning Spear and the activist Dr. Akinyele Umoja and Dr. Makungu Akinyela from NAPO (New Afrikan Peoples organization) with their tryp to Spain and speech at Sarriko campus, Basque Country university in 1993. One of the people who basically I felt or received as a central influence in the Malcolm X readings that Father Asssier taught at the Alcala Labor University since 1987 were Javier Siale (RIP) and also Tomy, Ekomo de Yakure and the Senegalese trade unionist, Lamin Sagne, Reduane Asuik of Marroquian AEME.

Antonio Olo Andeme Tomy was the first Minister of Information and founder of the Spanish section of the New Black Panthers Party that was a person who had the ability to bring books from the American Air base of Torrejon de Ardoz, that we did not understand a shit of English but that they brought the first books of Malcolm in 1986. But Siale had that ability to give him a social projection and extract that purpose from those readings of Malcolm X to spread it among the black youth on waht we acalled Conscious hip hop, that challenges the dominant cultural, political, philosophical, and economic consensus, and/or comments on social issues and conflicts. Conscious hip hop is not necessarily overtly political, but the terms link with "political hip hop" are sometimes used interchangeably. The term "nation-conscious rap" has been used to more specifically describe hip hop music with strong political messages and themes. Themes of conscious hip hop include afrocentricity, religion, aversion to crime & violence, culture, the economy, or depictions of the struggles of ordinary people and Malcolm X. This hip hop often seeks to raise awareness of social issues, leaving the listeners to form their own opinions, rather than aggressively advocating for certain ideas and demanding actions. And this was or was what made us different in the Crew, although we were all in the Stones nightclub, instead the ability of the follower of Malcolm and members of Franzt Fanon Studies group to unite all those groups of gangs (Los Colours, Los Bra, Black Stones, Radical Black Power, Simply Brothers) to create a Spanish Black Panther Party, could only be done with an ideological, political, doctrinal reference like Malcolm X.

Because the doctrinal framework introduced by Malcolm in the black youth in Spain at the

Winne con Coreta King

end of the 80s after the strikes of the Cojo Manteca there is an ideological void in the black community Since inner city determined much of the wider national and international youth culture – the essence of Malcolm X permeates the language, the ideology of black youth

In ded the reason why the Black Panthers Party - when no other group did it - quickly sponsored Dr. Arcelin's campaign for the black man -namibian-stuffed in a bathroom museum was undoubtedly by that mentality and ideological influence of Malcolm X, in fact the nickname that Arcelin had among these young people was superman, "we saw in him a kind of Spanish Malcolm X". To be a member of the Public Enemy fan club, in addition to having all the records, you should have read 5 times the biography of Malcolm X.

T-7 padrino del Hip-Hop español a la izq

Yes, Malcolm introduced in Spain at final of 80s and the beginning of the 90 by the hand of hip-hop artists a brutal ideological change in black youth vision and hope that was not only in Madrid, afected to the local grassroot leaders like Obiang Nsang, Kemit Kareba, Maaba Nguema, Ras Babi in Barcelona, ​​Tcham Bissa (Bilbao) Reba (Zaragoza) Negroche (Valencia) Ataya Mbenky (Almeria), Kus, Serafin, Killer B, Baldw Lumumba, Carlos Essien Junior, Yast Ali Nguema, Dj Moula, Okenve (Madrid) places and people where the influence of Malcolm X is going to be decisive for the creation today of the Pan-Africanist Movement of Spain. A doctrinal framework for blacks youth to discover that they are not color people neither immigrant nor sub-Saharan at Television used to said but are part of a major group that should be organized, that mainly occurs with Malcolm x, there is no other theoritycal, thinker or epistemology in the world that would have done that from a hegemonic vision of mass frame that would conquer the African-Spanish youth.